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brief encounter

Hi,

Rehearsals have been going extremely well but as we move into the theatre it’s exciting to be adding the technical elements to the show. Our crew have excelled themselves in order to get this show on the boards for its Canadian premiere. Our first preview in on Saturday and it’s close to being a sold-out house; the first of many, I hope.

If you’re looking for a non-traditional way to celebrate the holiday season this year, then Noel Coward’s Brief Encounter is going to be the show to see. It’s a funny and inventive show with live musicians on stage, characters jumping in and out of film screens and much more. And it might even bring a tear to the eye.

Max

Jonathan Holmes and Mairi Babb

Jonathan Holmes and Mairi Babb

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Brief encounter rehearsals

Hi,

We’re almost at the end of our first week of rehearsals for Brief Encounter. What a lot of fun we’re having. It’s so good to have Meg Roe (associate director) and Claire French (assistant choreographer) in the rehearsal hall with me, and of course, music director Steve Charles. For a non-musical, it certainly has a lot of songs in it. Everyone is working so hard. It’s a joy to work on.

Max

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the fantasticks held over

Ticket sales for The Fantasticks have been strong enough to warrant adding and extra week of performances. Beginning today (Oct. 25) The Fantasticks will play for one more week; it will now close on Oct.30. Tickets may be booked on line or by calling 604 873 3311. Rush seats are also available one hour before curtain. Performances are at 8pm each evening with 2pm matinees on Wednesday, Oct. 27 and Saturday, Oct. 30. Come and see why Peter Birnie of the Vancouver Sun calls it “Fantastic.”

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fantastic Fantasticks reviews

It was an enthusiastic opening night crowd for The Fantasticks on Thursday as we kicked off our 48th season.

The reviews are in:

“Just as advertised, it’s fantastic” Peter Birnie, Vancouver Sun

“…there are strengths in director Max Reimer’s production” Colin Thomas, Straight

“…an ideal launch pad for Vancouver Playhouse’s new season” John Jane, Review Vancouver

“Charming…sweet sentimentality” Mark Robbins, gay vancouver.com

“It’s a treat to have this shiny jewel in our city” David C. Jones, OUTtv

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one week to go

Hi,

This is our last weekend of rehearsals in the reahearsal hall. It is always an exciting time as rehearsals come to an end and the move into the theatre begins. Move-in happens on Tuesday, dress rehearsal is on Friday and our first preview is Saturday. Opening night is Oct. 7. Between Tuesday and Friday we add the technical elements: the set, the lights, the sound, the musicians. Saturday, we add the last element, the audience.

It has been an absolute joy to work with this talented cast on The Fantasticks. I shall be sorry to leave it. Our production is undeniably self-reflective. It is theatre about theatre. We have set it, not in a specific time, like the ealry 1960s when it was first performed, but only in a place - the theatre, with it’s traditions, conventions and simple, rough magic.

I hope this honest homage lives up to the classical standards that one expects from the Playhouse.   

Max

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extra performance added

Hi,

If you haven’t caught Ryan Beil and David Bloom in David Mamet’s look at A Life in the Theatre, you now have an extra opportunity. We have added an additional performance on Sunday, September 12 at 4pm. Advance tickets are $12, available by calling 604-873-3311, or you can take your chances and pay-what-you-can at the door.

Max

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a life in the theatre

2010-cad-th-alitt-37The Vancouver theatre summer season comes to an end with a very special show. Ryan Beil and David Bloom both won Jessie Awards in June; fittingly they are now working together on a labour of love, five years in the dreaming: David Mamet’s melancholy comedy A Life in the Theatre will play in the Recital Hall of the Vancouver Playhouse, Aug. 29, 30, Sept. 2-5, 11, 12 at 8pm. Tickets are just $12.

The Pulitzer Prize-winning author of Glengarry Glen Ross and Speed-The-Plow takes us into the lives of two actors: John, young and rising into the first flush of his success; the other, Robert, older, anxious, and beginning to wane. In a series of short, spare, and increasingly raw exchanges, we see the estrangement of youth from age and the wider, inevitable and endless cycle of life, in and out of the theatre.

Beil and Bloom are directing themselves but, as they see the show as a love song to the Vancouver theatre community, they found a way to work with people they admire. Six scenes in A Life in the Theatre happen “on stage” so they enlisted artistic directors from companies large and small to direct these scenes. Those directors (Kim Collier, Katrina Dunn, Craig Hall, Linda Quibell, Max Reimer, and Richard Wolfe) have won between them 10 Jessie Awards, four Ray Michael Awards for Emerging Director, and the Golden Bra Award. Ilena Lee Cramer, former artistic director of Screaming Weenie Productions is designing the space and Naomi Sider (who won a Jessie for costume design on that same June night) will oversee costumes. Finally, they coaxed universally admired stage manager, Dani Fecko (winner of the 2009 most promising newcomer Jessie Award) to play the role of the Stage Manager.

With the help of the Vancouver Playhouse Theatre Company, The Theatre Co-op Theatre Co-op’s production of A Life in the Theatre will be performed in the rarely used Recital Hall beneath the Vancouver Playhouse (entrance, appropriately enough, will be through the Stage Door at Cambie & Dunsmuir).

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A stellar cast to star in the fantasticks

I always enjoy being asked if we close down during the summer. What people don’t realize is that it takes an awful lot of planning to come up with a season and much of this happens during the summer months: scheduling, auditions, contracting, etc., etc. 

I am very pleased to announce that I have completed casting for The Fantasticks, the opening production of our 48th season, which I am directing and choreographing.

I have chosen a very talented cast; a mix of well-known names, seasoned professionals, and up and coming youths and add Bill Sample as musical director and I am working with a dream team.

One of Canada’s most versatile vocal talents, Steve Maddock, plays the narrator, El Gallo, who creates a world of moonlight and magic, convincing two youngsters that they are embroiled in a melodramatic encounter.

Colin Sheen (Matt) and Bree Grieg (Luisa) play the love-struck youngsters whose love is separated by a wall that their parents, played by Mark Burgess (Hucklebee) and Andy Toth (Bellomy), build to keep them apart, which only serves in bringing them closer together.

It’s fitting that Christopher Gaze, Artistic Director of Bard on the Beach, plays Henry, the old, down on his luck actor that comes out of a trunk along with his side-kick Mortimer, played by Simon Bradbury.

Completing the cast is Canada’s song and dance man, Jeff Hyslop, who, ironically, plays the role that neither sings nor dances. In fact, Hyslop’s character never utters a single word, he is playing The Mute.

This delightful musical is designed by David Roberts (set), Christine Reimer (costumes), Gerald King (lighting) and Lucas Cooper (sound). Caryn Fehr is Stage Manager, Peter Jotkus, Assistant Stage Manager and Silvi Wool, Apprentice Stage Manager.

The musicians are Bill Sample on piano, Laurence Mollerup on bass, and Albertina Chan playing the harp.

Since its opening in May 1960, The Fantasticks has become the longest running production of any kind in the history of American theatre. It is a simple but beautiful story of the quintessential celebration of love in all its gorgeous simplicity and heartbreaking complexity.

The Fantasticks plays from Oct. 2-23 at the Vancouver Playhouse. Tickets are  $32-$59. Call our Box Office at 604 873 3311, or online at vancouverplayhouse.com.

Now I have to finish casting Noel Coward’s Brief Encounter

Max

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The reviews are in for dangerous corner

Dangerous Corner opened on Thursday to an enthusiastic audience. It plays until May 22. Buy tickets.

From Peter Birnie @ The Vancouver Sun http://www.vancouversun.com/entertainment/theatre-listings/Theatre+review+Dangerous+Corner+delivers+good+fashioned+murder+mystery/3000754/story.html#Comments

From Colin Thomas @ The Straight http://www.straight.com/article-323150/vancouver/dangerous-corner-boasts-focused-honest-and-nuanced-performances

From Andrew Templeton @ Plank Magazine http://www.plankmagazine.com/review/dangerous-corner-narrative-experiment?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+plankmagazine+%28Plank+Magazine+%7C+Everything%29

From Katie Reitsma @ KatieLoves.com http://katieloves.com/dangerouscorner.cfm

From Mark Robbins @ gayvancouver.com  http://www.gayvancouver.net/theatre/review-dangerous-corner

From Amanda Lockitch @ [Re]View from the House http://www.reviewfromthehouse.com/theatre-seen/as-i-see-it/dangerous-corner-guest-review

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bacchanalia gala at the wine festival

The Vancouver Playhouse International Wine Festival is in full swing and on Wednesday it was the crown jewel of the Festival, the Bacchanalia Gala Dinner + Auction.  The wine was flowing and the bids were rising at this year’s premier annual fundraising event for the Vancouver Playhouse Theatre Company raising over $320,000 this year.

That we chose to celebrate and share the experience of fine wine for the benefit of great theatre demonstrates our community priorities as much as our personal tastes. With the funds generated, the Playhouse provides educational programs for the young, world-class theatre at accessible prices and regional resources for dozens of other theatre companies and artists in our community. I thank all of the participants from the enthusiastic bidders to the multitude of dedicated volunteers and staff that make this event a wine industry and arts fundraising success!

Max

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